Women and Film Essay Example | Topics and Well Written Essays - 1250 words

Women and Film - Essay exerciseThere ar several de arcs of how young-bearing(prenominal) characters are world depicted in the films. Currently, they have begun assumptive more dominant roles in films. Some male film directors use female characters only to bear something against which to express masculinity to male relationships. They are self reflexive for men who design them, as they loosely act as mere guardian spirit for a male protagonist. Often times, they exist as characters to push the storyline along and create some balance instead of getting up on feet on their own. For instance, in Japanese video games Persona 3 where they overtly rent women to draw up the female characters. But this may not be the case for all male filmmakers. For instance, when watching Les rendezvous DAnna, you could not imagine a male director design such a female protagonist (Grundmann, 2010). The general observation on female film producers observes women characters for their own interest g roup instead of being a channel to an ideological end. Female characters designed by women may have scanty habilitate that tend to be more real and relaxed looking. They also have petite eyes, sexy features with a matureness on facial expressions. There are fewer women that design action-based films or movies. They mostly make dramatic, comedic, films connect to family stories and others that lean more towards an emotional arc. This may be as a result of having little concern on the action-oriented films or the postulation that the target audience wouldnt put so much interest in them (Walsh, 1986). There is also the issue of the deepness and vigor of female character. One may rule the director, but there is also the genre, writer and actress to consider in such cases. Many films made by women have a more exhaustive evaluation of character that is notwithstanding the gender of the directors. In the uniform way, there are actresses and writers who can yield more dense characters than customary. For instance, Barbara Stanwyck hardly inhabits a character that is not considerably well grasped irrespective of the script or director. The issue involving Godard stretches beyond him as you will set out some directors such as Joseph Mankewiecz making films where the actresses appears far more authentic and vivacious than the males. In hatred of the themes of the film, they have an unattractive meaning linked to the womens actions (Callahan, 2012). Other male directors seem to introduce profundity in the roles of women. However, that raises eyebrows as to whether those roles are being viewed as another category of male illusion or imaginations. One that originates from a diverse and good direction yet still somehow off the oppose likened to the exact experiences of women. The feminist movement relentlessly battled for womens rights and equality so as to position women on equal grounds to men in the society. This uprising has since been taken forward in the film pains as women also play prominent and conspicuous roles in films. This which was a sharp disparity in the past where women only played domestic roles in the society (Callahan, 2012). At the same time, there are some films that portray women as morally superior and perfect. Dreyers Gertrud is an example of such films that convey strength, liberation and empowerment of women. We also have sturdy, irrepressible, self-determining and plausible women in so many films directed by men. This is without craziness in either male fantasies of femaleness or direct sexual appeal (Power, 2009). The role of women in films has since surpassed the traditional feminine characteristics. Women are no longer being portrayed as one-facet who acts stereotypical female traits. In addition, today men are unlikely to measure up to the conventional form of masculinity though they may still